What is Nunchaku?

14 04 2008

A nunchaku (Chinese: 雙節棍 shuāng jié gùn, 兩節棍 liǎng jié gùn, or 三節棍 sān jié gùn), also called nunchucks or nunchuks (sometimes hyphenated as nun-chucks or nun-chuks or spaced as nun chucks or nun chuks), is a martial arts weapon of the kobudo weapons set and consists of two sticks connected at their ends with a short chain or rope. The other Kobudo weapons are the Sai, Tonfa, Bo and Kama.

Nunchaku in popular culture

The nunchaku were made popular in the West mostly due to their use by Bruce Lee in a scene from his film Enter the Dragon (though he had actually first used nunchaku in Fist of Fury), in which he demonstrates Eskrima flail techniques. Michaelangelo of the Teenage Mutant Ninja Turtles was also known for using nunchaku. In the U.K. version of the 1987 cartoon series, Teenage Mutant Hero Turtles, the nunchaku was censored out. Also, the weapon that Selphie Tilmitt of Final Fantasy VIII wields is called nunchaku in the NTSC versions of Final Fantasy VIII, and shinobou in the PAL version.

Formal nunchaku styles

The most common martial arts to use nunchaku are the Japanese martial arts such as some forms of karate, but some Eskrima systems also teach practitioners to use nunchaku. Songahm Taekwondo, a Korean martial arts style, also teaches how to use one and two Nunchakus, though in Korean, they are known as Sahng Jeol Bahngs, or sometimes Sahng Jeol Bongs. The styles of these three arts are rather different; the traditional Okinawan arts would have used the sticks primarily to grip and lock, while the Filipino arts would have used the sticks primarily for striking, while Songahm Taekwondo teaches a combination of both.

An interesting thing to note is that while most Martial Arts Styles that teach Nunchaku do not start teaching until after Black Belt, Songahm Taekwondo starts teaching Nunchaku techniques at Orange Belt, the second belt in Songahm Taekwondo.

In the early 80’s, Kevin D. Orcutt, an American police sergeant, holder of a black belt in Jukado, developed the OPN (Orcutt Police Nunchaku) system. Since then some American Law Enforcement Agencies employ the Nunchaku as a control weapon instead of the Tonfa, also known as the common police baton, which also finds its origin in the Kobudo weapons family. This system emphasises only a small subset of the nunchaku techniques, for speedier training.

There is now a dedicated World Nunchaku Association, based in the Netherlands, which teaches Nunchaku-Do as a contact sport. They use yellow and black plastic weight balanced training chucks and protective headgear. They have their own belt colour system where you earn colour stripes on the belt instead of using the full colour belts. In competition, one opponent turns over the belt, as one side is white and the other black.

Anatomy of the traditional nunchaku

A nunchaku is two sections of wood (or metal in modern incarnations) connected by a cord or chain. Chinese nunchaku tend to be rounded, whereas Japanese are octagonal. The ideal length of each piece should be the length of the users forearm; the bone between elbow and wrist. Traditionally both ends are of equal length (although asymmetrical nunchakus exist). The ideal length for the connecting rope/chain can be calibrated for each individual by letting the rope hang over the wrist, with the sticks hanging comfortably pointing straight to the ground, but without giving more rope than is necessary for it to do so. Weight balance is extremely important, cheaper or gimmicky nunchakus (such as glow-in-the-dark ones) are often not properly balanced, which prevent the artist from doing the more advanced and flashier ‘low-grip’ moves, such as overhand twirls. The weight should be balanced towards the outer edges of the sticks for maximum ease and control of the swing arcs.

The traditional nunchaku must be made from a hardwood that is strong yet flexible, such as oak, loquat or pasania. Originally, the wood would be submersed in mud for several years, where lack of oxygen and optimal acidity prevent rotting. The end result is a hardened wood. The rope was made from horsehair, said to be able to block a sword. (Although likely, there is no recorded confirmation of this.) Finally, the wood is painted and varnished to keep colour.

There are various traditional alternative forms such as the 3-sectional and 4-sectional staff, these are nunchaku with 3 and 4 interconnecting pieces.

Anatomy of the modern nunchaku

The modern nunchaku can be made from any material: from wood as well as from almost any plastic or fiberglass material. Modern equivalents of the rope are nylon or metal chains on ball bearing joints.

The Nunchaku-Do sport, governed by the World Nunchaku Association, promotes black and yellow Styrofoam chucks. The difference with readily available plastic training chucks is that these are properly balanced.

There are some alternate nunchakus such as:

  • Telescopic Nunchakus: which are metal retractable chucks, available in 2 sizes.
  • Glow-Chucks – made either with fibreglass and a coloured light fitted in the ball bearing or some kind of fluorescent taping around the sticks.
  • Penchakus: There are flashier Lissajous-do sticks available for artistic performances. These are more colourful and sometimes fluorescent with a modified anatomy which favors control in expense of power; they have longer length sticks and extremely short ropes. The idea is based on a mathematical model, the Lissajous, which allows the user to keep a continuous flowing form.

Nunchaku in combat

When used in combat, the nunchaku provide the obvious advantage of an increase in the reach of one’s strike. Although somewhat difficult to control, the rope or chain joint of the nunchaku adds the benefit of striking from unexpected angles. The motion of the nunchaku is often found distracting by opponents, who may have trouble keeping up with the nunchaku’s rapid motion. In addition, the reach of the nunchaku is often underestimated, even by those experienced with its use.

The wooden or metal sections of the nunchaku are used to strike, while the joint is used to apply locks or chokes.

Care of the nunchaku

For wooden nunchaku it is advisable (although not strictly necessary) to clean the nunchaku with a cloth moistened in olive oil, camellia oil or any other plant oil for easier grip and this also prevents fading of the original color (because it puts a coating layer where the varnish disappeared). To prevent wear of the nylon ropes candle wax can be coated at the tips where the most friction occurs. For true aficionados, you should learn to tie the traditional knots that bind the pieces. There is even an annual knot tying contest in Japan.

Metal chain and ball bearing chucks can also be oiled up to prevent wear and squeaking.

Nunchaku masters

Unlike other kobudo weapons of the same period such as the Bo and Sai, there are no surviving Katas for the Nunchaku. Practice movements were transmitted by word of mouth and in limited writing, suggesting that the Nunchaku was a less formalized style, and training did not reach the level of sophistication as the other Budo weapons.

Luckily there are some internationally recognized grand masters, extremely talented people in the world, here listed with their respective publications:

  • Tadashi Yamashita – Dynamic Nunchaku
  • Jiro Shiroma – Nunchaku, the Complete Training Guide
  • Fumio Demura – Nunchaku, Karate Weapon of Self Defense




Excalibur – The legend

9 12 2007

A while ago, I was thinking of why this sword was so famous. In fact, Many people talk about the popular story of the sword on the stone. Years ago I had read the story of it, but I had never realized the sword mention in the story was non other then the sword Excalibur. So I’ve decided to check it out the legend behind.

Here is some info of the legend of the story

Sword in the Stone (the proof of Arthur’s lineage)

 

 

In surviving accounts of Arthur, there are two originally separate legends about the sword’s origin. The first is the “Sword in the Stone” legend, originally appearing in Robert de Boron’s poem Merlin, in which Excalibur can only be drawn from the stone by Arthur, the rightful king. The second comes from the later Post-Vulgate Suite du Merlin, which was taken up by Sir Thomas Malory. Here, Arthur receives Excalibur from the Lady of the Lake after breaking his first sword in a fight with King Pellinore. The Lady of the Lake calls the sword “Excalibur, that is as to say as Cut-steel,” and Arthur takes it from a hand rising out of the lake.

As Arthur lies dying, he tells Sir Bedivere (Sir Griflet in some versions) to return his sword to the lake by throwing it into the water. Bedivere is reluctant to throw away such a precious sword, so twice he only pretends to do so. Each time, Arthur asks him to describe what he saw. When Bedivere tells him the sword simply fell into the water, Arthur scolds him harshly. Finally, Bedivere throws Excalibur into the lake. Before the sword strikes the water’s surface, a hand reaches up to grasp it and pulls it under. Arthur leaves on a death barge with the three queens to Avalon, where as his legend says, he will one day return to rule in Britain’s darkest hour.

Malory records both versions of the legend in his Le Morte d’Arthur, and confusingly calls both swords Excalibur. The film Excalibur attempts to rectify this by having only one sword, which Arthur inherits through his father and later breaks; the Lady of the Lake then repairs it.

Other information

The story of the Sword in the Stone has an analogue in some versions of the story of Sigurd (the Norse proto-Siegfried), who draws his father Sigmund’s sword out of a tree where it is embedded.

In several early French works such as Chrétien de Troyes’ Perceval, the Story of the Grail and the Vulgate Lancelot Proper section, Excalibur is used by Gawain, Arthur’s nephew and one of his best knights. This is in contrast to later versions, where Excalibur belongs solely to the king. In the Alliterative Morte Arthure, Arthur is said to have two legendary swords, the second one being Clarent, stolen by the evil Mordred. Arthur receives his fatal blow from Clarent.





Miyamoto Musashi- The legendary samurai warrior

27 10 2007

Miyamoto Musashi (宮本 武蔵, Miyamoto Musashi?) (c.1584–June 13 (Japanese calendar: May 19), 1645), also known as Shinmen Takezō, Miyamoto Bennosuke, or by his Buddhist name Niten Dōraku[1], was a famous Japanese samurai, and is considered by many to have been one of the most skilled swordsmen in history. Musashi, as he is often simply known, became legendary through his outstanding swordsmanship in numerous duels, even from a very young age. He is the founder of the Hyōhō Niten Ichi-ryū or Niten-ryū style of swordsmanship and the author of The Book of Five Rings (五輪書, Go Rin No Sho?), a book on strategy, tactics, and philosophy that is still studied today.

The details of Miyamoto Musashi’s early life are difficult to verify. Musashi himself simply states in Gorin no Sho that he was born in Harima Province.[2] Niten Ki (an early biography of Musashi) supports the theory that Musashi was born in 1584: “[He] was born in Banshū, in Tenshō 12 [1584], the Year of the Monkey.”[3] The historian Kamiko Tadashi, commenting on Musashi’s text, notes: “[...]Munisai was Musashi’s father…he lived in Miyamoto village, in the Yoshino district [of Mimasaka Province]. Musashi was most probably born here.”[4] His childhood name was Bennosuke 弁之助.

Musashi gives his full name and title in Gorin no Sho as “Shinmen Musashi no Kami Fujiwara no Genshin.”[5] His father, Shinmen Munisai 新免無二斎, was an accomplished martial artist and master of the sword and jutte.[6] Munisai, in turn, was the son of Hirata Shōgen 平田将監, a vassal of Shinmen Iga no Kami, the lord of Takeyama Castle, in the Yoshino district of Mimasaka Province.[7] Hirata was relied upon by Lord Shinmen, and so was allowed to use the Shinmen name. As for “Musashi,” Musashi no Kami was a court title, making him the nominal governor of Musashi province. “Fujiwara” was the lineage from which Musashi claimed nominal descent.

More details here